Here is what I'm working with so far.
ABSTRACT EXPRESSIONISM AND POST-WAR EUROPE
Anfam, David. Mark Rothko: The Works on Canvas. New Haven: Yale University Press, 1998.
Auping, Michael. Philip Guston Retrospective, 2003.
Clark, T.J., James Coddington, Jeremy Lewison, Carol Mancusi-Ungaro, Anne Wagner, Robert Storr, and Rosalind Krauss. Jackson Pollock: New Approaches. The Museum of Modern Art, New York, 2002.
Craven, David. Abstract Expressionism as Cultural Critique. Cambridge, 1999.
Gibson, Professor Ann Eden. Abstract Expressionism: Other Politics. New Haven: Yale University Press, 1999.
Landau, Ellen. Jackson Pollock. 1991
Leja, Michael. Reframing Abstract Expressionism: Subjectivity and Painting in the 1940s. New Haven: Yale University Press, 1997.
Morris, Frances and Sara Wilson. Paris Postwar: Art and Existentialism 1945-1955. London: Tate, 1993.
Prather, Marla, De Kooning's Paintings. Washington: National Gallery, 1994.
Sawin, Martica. Surrealism in Exile and the Beginning of the New York School. Cambridge: MIT Press, 1995.
Theriault, Kim S. Rethinking Arshile Gorky, 2009
Weis, Jeffrey. Mark Rothko. New Haven: Yale University Press, 1998.
See Art Since 1900 for more European Post-War; look at Richter, Polke, Armand (see article)
AMERICAN - EARLY 20th CENTURY
Bloemink, Barbara. The Life and Art of Florine Stettheimer. New Haven: Yale University Press, 1995.
Corn, Wanda. The Great American Thing: Modern Art and National Identity, 1915-1935. 1st ed. Berkeley: University of California Press, 2001.
Johnston, Patricia. Seeing High and Low: Representing Social Conflict in American Visual Culture. 1st ed. Berkeley: University of California Press, 2006.
Leja, Michael. Looking Askance: Skepticism and American Art from Eakins to Duchamp. 1st ed. Berkeley: University of California Press, 2007.
Lynes, Barbara Buhler. Georgia O'Keefe Museum Collection. New York: Harry Abrams, 2007.
Pyne, Kathleen A. Modernism and the Feminine Voice: O’Keeffe and the Women of the Stieglitz Circle. 2nd ed. Berkeley: University Of California Press, 2008.
Zurier, Rebecca. Picturing the City: Urban Vision and the Ashcan School. Berkeley: University of California Press, 2006.
CONTEMPORARY AND FEMINIST
Armstrong, Carol, and Catherine de de Zegher. Women Artists at the Millennium. Cambridge: The MIT Press, 2011.
Bishop, Claire. Installation Art. London: Tate Publishing, 2011.
———. Participation. Cambridge: The MIT Press, 2006.
Bourriaud, Nicolas. Relational Aesthetics. Paris: Les Presse Du Reel, 1998.
Broude, Norma and Mary Garrard. The Power of Feminist Art. New York: Harry Abrams, 1996.
Butler, Cornelia, and Lisa Gabrielle Mark. WACK!: Art and the Feminist Revolution. Cambridge: The MIT Press, 2007.
Chadwick, Whitney. Women, Art, and Society. New York: Thames and Hudson, 2007.
_____. Significant Others: Creativity and Intimate Partnership. New York: Thames and Hudson, 1996. skim, see ch. on Delaunays
Cruz, Amanda, and Amelia Jones. Cindy Sherman: Retrospective. 2nd ed. Thames & Hudson, 2000.
Daftari, Fereshteh. Without Boundary. 1st ed. New York: The Museum of Modern Art, New York, 2006.
Grasskamp, Walter, and Benjamin H.D. Buchloh. Obra Social. Barcelona: Fundacio Antoni Tapies, 1995.
Greene, Rachel. Internet Art. New York: Thames & Hudson, 2004.
Heartney, Eleanor. Art & Today. New York: Phaidon Press Inc., 2008.
Hopkins, David. After Modern Art 1945-2000. New York: Oxford University Press, USA, 2000.
Jones, Amelia. The Feminism and Visual Culture Reader. New York: Routledge, 2002.look over
Leung, Simon, and Zoya Kocur. Theory in Contemporary Art since 1985. 1st ed. New York: Wiley-Blackwell, 2004.- look over
Lovejoy, Margot. Postmodern Currents: Art and Artists in the Age of Electronic Media. 2nd ed. New York: Prentice Hall, 1996.
McDonough, Tom. Guy Debord and the Situationist International: Texts and Documents. Cambridge: The MIT Press, 2004.
Mirzoeff, Nicholas. The Visual Culture Reader. 3rd ed. New York: Routledge, 2012.
Paul, Christiane. Digital Art (Second Edition). Second Edition. Thames & Hudson, 2008.
Ramirez, Mari Carmen, and Hector Olea. Inverted Utopias: Avant-Garde Art In Latin America. Houston: Museum of Fine Arts Houston, 2004.
Rush, Michael. New Media in Art. 2nd ed. New York: Thames & Hudson, 2005.
Sandler, Irving. Art Of The Postmodern Era: From The Late 1960s To The Early 1990s. Boulder: Westview Press, 1997.
Storr, Robert, and Gerhard Richter. Gerhard Richter: Forty Years Of Painting. New York: The Museum of Modern Art, 2002.
Storr, Robert, Kirk Varnedoe, Deborah Wye, and Glenn D. Lowry. Chuck Close. New York: The Museum of Modern Art, New York, 2002.
Vergne, Philippe, Sander Gilman, Thomas McEvilley, Robert Storr, Kevin Young, and Yasmil Raymond. Kara Walker: My Complement, My Enemy, My Oppressor, My Love. 1st ed. Minneapolis: Walker Art Center, 2007.
CUBISM AND FUTURISM
Antliff, Mark, and Patricia Leighten. Cubism and Culture. New York: Thames & Hudson, 2001.
Cottington, David. Cubism and Its Histories. Manchester: Manchester University Press, 2004.
McCully, Marilyn. A Picasso Anthology. Princeton: Princeton University Press, 1997.
Perloff, Marjorie. The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture. 1st ed. Chicago: University Of Chicago Press, 2003.
Poggi, Christine. Inventing Futurism: The Art and Politics of Artificial Optimism. Princeton: Princeton University Press, 2008.
Timmer, Petra. Color Moves: Art & Fashion by Sonia Delaunay. New York: Cooper-Hewitt, 2011.
DADA AND SURREALISM
Bois, Yve-Alain, and Rosalind E. Krauss. Formless: A User’s Guide. New York: Zone Books, 2000.
Dickerman, Leah, Dorothea Dietrich, Brigid Doherty, Sabine Kriebel, Janine Mileaf, Michael Taylor, Matthew Witkovsky, et al. Dada: Zurich, Berlin, Hanover, Cologne, New York, Paris. 1st ed. Washington, D.C.: The National Gallery of Art, 2005.
Fletcher, Valerie. Alberto Giacometti. 1988
Foster, Hal. Compulsive Beauty. Cambridge: The MIT Press, 1995.
Gale, Matthew. Dada & Surrealism. New York: Phaidon Press, 1997.
Hauptman, Assistant Professor Jodi. Joseph Cornell: Stargazing in the Cinema. First Edition. Yale University Press, 1999.
Kachur, Lewis. Displaying the Marvelous: Marcel Duchamp, Salvador Dali, and the Surrealist Exhibition. Cambridge, MIT Press, 2001.
Krauss, Rosalind E. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge: The MIT Press, 1986.
Richter, Hans. Dada: Art and Anti-Art. New York: Thames & Hudson, 1997.
Waldman, Diane. Joseph Cornell: Master of Dreams. Harry N. Abrams, 2006.
Wilson, Ms. Laurie. Alberto Giacometti: Myth, Magic, and the Man. New Haven: Yale University Press, 2005.
EARTHWORKS, MINIMALISM, POSTMINIMALISM, PERFORMANCE
Armstrong, Richard. The New Sculpture: 1965-75. New York: Whitney Museum, 1990.
Battcock, Gregory, and Anne M. Wagner. Minimal Art: A Critical Anthology. University of California Press, 1995.
Boettger, Suzaan. Earthworks: Art and the Landscape of the Sixties. 1st ed. Berkeley: University of California Press, 2004.
Chave, Anna. "Minimalism and the Rhetoric of Power"
Cooper, Helen A. Eva Hess: A Retrospective. New Haven: Yale University Press, 1992.
Goldberg, Rose Lee. Performance Art. 2001.
Jones, Caroline. Machine in the Studio. Chicago: Univ of Chicago Press, 1996.
Krauss, Rosalind. Richard Serra's Sculpture. New York: MoMA, 1986.
Meyer, James. Minimalism, Art, and Polemics in the Sixties. New Haven: Yale Univ Press, 2001.
Nixon, Mignon. Eva Hesse. Cambridge: The MIT Press, 2002
Reynolds, Ann. Robert Smithson: Learning from New Jersey and Elsewhere. Cambridge: MIT Press, 2003.
FOCUS AREA
Abramson, Daniel. “Maya Lin and the 1960s: Monuments, Time Lines, and Minimalism.” Critical Inquiry 22, no. 4 (July 1, 1996): 679-709.
Brenson, Michael, Eva M. Olson, Mary Jane Jacob, and Sculpture Chicago (Organization). Culture in Action: A Public Art Program of Sculpture Chicago. Seattle: Bay Press, 1995.
Cartiere, Cameron, and Shelley Willis. The Practice of Public Art. 1st ed. New York: Routledge, 2008.
Cockcroft, Eva, John Pitman Weber, and James Cockcroft. Toward a People’s Art: The Contemporary Mural Movement. Illustrated edition. Albequerque: University of New Mexico Press, 1998.
Doss, Erika. Memorial Mania: Public Feeling in America. Chicago: University Of Chicago Press, 2010.
———. Spirit Poles and Flying Pigs: Public Art and Cultural Democracy in American Communities. Washington, D.C.: Smithsonian, 1995.
Finkelpearl, Tom. Dialogues in Public Art. Cambridge: The MIT Press, 2001.
Hagopian, Patrick. The Vietnam War in American Memory: Veterans, Memorials, and the Politics of Healing. Culture, Politics & Cold War series. Amherst: Univ. of Massachusetts Press, 2009.
Jacob, Mary Jane, and Michael Brenson. Conversations at The Castle: Changing Audiences and Contemporary Art. Cambridge: The MIT Press, 1998.
Knight, Cher Krause. Public Art: Theory, Practice and Populism. 1st ed. New York: Wiley-Blackwell, 2008.
Kramer, Jane. Whose Art Is It? 1st ed. Durham: Duke University Press Books, 1994.
Kwon, Miwon. One Place after Another: Site-Specific Art and Locational Identity. Cambridge: The MIT Press, 2004.
Lacy, Suzanne. Mapping the Terrain: New Genre Public Art. Seattle: Bay Press, 1994.
Mitchell, W. J. T. Art and the Public Sphere. 1st ed. Chicago: University of Chicago Press Journals, 1992.
Pasternak, Anne. Creative Time: The Book. 1st ed. Princeton: Princeton Architectural Press, 2008.
Savage, Kirk. Monument Wars: Washington, D.C., the National Mall, and the Transformation of the Memorial Landscape. 1st ed. Berkeley: University of California Press, 2011.
Senie, Harriet. Contemporary Public Sculpture: Tradition, Transformation, and Controversy. 1st ed. New York: Oxford University Press, USA, 1992.
———. Critical Issues in Public Art: Content, Context, and Controversy. Washington, D.C.: Smithsonian Books, 1998.
Senie, Harriet F. Tilted Arc Controversy: Dangerous Precedent. 1st ed. Minneapolis: Univ Of Minnesota Press, 2001.
Suderburg, Erika, and Editor, Erika Suderburg. Space, Site, Intervention: Situating Installation Art. Minneapolis: Univ Of Minnesota Press, 2000.
GENERAL MODERN ART SOURCES
Bois, Yve-Alain, Benjamin H. D. Buchloh, Hal Foster, and Rosalind Krauss. Art Since 1900: Modernism, Antimodernism, Postmodernism. Thames & Hudson, 2005.
Clark, T. J., and Timothy J. Clark. Farewell to an Idea: Episodes from a History of Modernism. New Haven: Yale University Press, 2001.
Doss, Erika. Twentieth-Century American Art. New York: Oxford University Press, USA, 2002.
Joselit, David. American Art Since 1945. New York: Thames & Hudson, 2003.
GERMAN EXPRESSIONISM AND RUSSIAN AVANT-GARDE
Barnett, Vivian Endicott, Christian Derouet, and Wassily Kandinsky. Kandinsky. New York: Guggenheim Museum, 2009.
Gray, Camilla. The Russian Experiment in Art 1863-1922 (Revised Edition). Revised Edition. New York: Thames & Hudson, 1986.
Jelavich, Peter, Heather Hess, and Starr Figura. German Expressionism: The Graphic Impulse. New York: The Museum of Modern Art, New York, 2011.
Lodder, Christina. Russian Contructivism. New Haven: Yale University Press, 1985.
Paret, Peter. Ernst Barlach: An Artist against the Third Reich. Cambridge: Cambridge Univ Press, 2003. Read up to Lloyd
Willett, John. Art and Politics in the Weimar Period: The New Sobriety, 1914-33. 1996.
Wye, Deborah, and Ernst Kirchner. Kirchner and the Berlin Street. New York: The Museum of Modern Art, New York, 2008.
NEO-DADA AND HAPPENINGS
Armstrong, Elizabeth. In the Spirit of Fluxus. Minneapolis: Walker Art Center, 1993.
Buchloh, Benjamin H. D. Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975. Cambridge: The MIT Press, 2003.
Crow, Thomas. The Rise Of The Sixties, American & European Art In The Era Of Dissent. New York: Abrams Art History, 1996.
Foster, Hal. The Return of the Real: The Avant-Garde at the End of the Century. Cambridge: The MIT Press, 1996.
Joseph, Branden W. Random Order: Robert Rauschenberg and the Neo-Avant-Garde. Cambridge: The MIT Press, 2007.
Kelley, Jeff. Childsplay: The Art of Allan Kaprow. 1st ed. Berkeley: University of California Press, 2007.
Leggio "Robert Rauschenberg's Bed and the Symbolism of the Body," in Essays on Assemblage.
Orton, Fred. Figuring Jasper Johns. Cambridge: Harvard University Press, 1994.
Potts, Alex. Allan Kaprow-Art as Life. 1st ed. Los Angeles: Getty Research Institute, 2008.
POP AND MASS CULTURE
Foster, Hal. Richard Hamilton: October Files. Cambridge: MIT Press, 2010.
Hine, Thomas. Populuxe. New York: Overlook Press, 2007.
Lubin, David M. Shooting Kennedy: JFK and the Culture of Images. Berkeley: University of California Press, 2003.
Marling, Karal Ann. As Seen on TV: The Visual Culture of Everyday Life in the 1950s. Cambridge: Harvard University Press, 1996.
Michelson, Annette. Andy Warhol: The October Files. Cambridge: The MIT Press, 2001.
Osterworld, Tilman. Pop Art. New York: Taschen, 2003.
Rapaport, Brooke Kamin and Kevin Stanton. Vital Forms: American Art in the Atomic Age, 1940-1960. New York: Brooklyn Museum of Art, 2001.
Whiting, Cecile. A Taste for Pop: Pop Art, Gender and Consumer Culture. Cambridge University Press, 1998.
Varnedoe, Kirk, and Adam Gopnik. High Low Catalogue, New York: MoMA, 1990. chapter on comics
Woodham, Jonathan M. Twentieth-Century Design. New York: Oxford University Press, USA, 1997.
REGIONALISM/NEW DEAL
Balken, Debra Bricker. After Many Springs: Regionalism, Modernism, and the Midwest. Des Moines: Des Moines Art Center, 2009.
Dennis, James M. Renegade Regionalists: The Modern Independence of Grant Wood, Thomas Hart Benton, and John Steuart Curry. Madison: University of Wisconsin Press, 1998.
Doss, Erika. Benton, Pollock, and the Politics of Modernism: From Regionalism to Abstract Expressionism. Chicago: University Of Chicago Press, 1995.
Marling, Karal Ann. Wall-to-Wall America: Post-Office Murals in the Great Depression. Minneapolis: Univ Of Minnesota Press, 2000.
SCULPTURE-SPECIFIC
Causey, Andrew. Sculpture since 1945. New York: Oxford University Press, USA, 1998.
Chave, Ms. Anna C. Constantin Brancusi: Shifting the Bases of Art. New Haven: Yale University Press, 1994.
Curtis, Penelope. Sculpture 1900-1945. New York: Oxford University Press, USA, 1999.
Fletcher, Valerie. Isamu Noguchi: Master Sculptor. New York: Scala Publishers, 2004.
Krauss, Rosalind E. Passages in Modern Sculpture. Cambridge: The MIT Press, 1981.
Lippard, Lucy R., Thomas H. McEvilley, and Robert Storr. Louise Bourgeois. Edition Stemmle, 1995.
Smith, David, Carmen Gimenez, Rosalind Krauss, and David Anfam. David Smith: A Centennial. First Edition. New York: Guggenheim Museum, 2006.
